TiaCorine Is Winning the "Lotto"

“My mind is like a crazy library of pictures, so I see all of these pictures in my mind, and I string them together… I feel like my project is like a book. Each song is a story and that’s why it’s important the way I lined them up.”

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Sydney LingComment
The Chasm Between Us

“You see, when I close my eyes and picture a queer woman, she is almost always white, and when I picture an Asian girl, she almost never loves like me. This feeling of in-betweenness feels groundless, like I will lose my breath at any second.”

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Jarea FangComment
Talyana Makes Room for Herself

“My inspiration behind the track, "The Room" first came from the imagery of buildings that have been abandoned and years later plants have grown through and around it. The plants turned the untouched structure into a natural living building.”

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Sydney LingComment
The (un)Reconciled Image of the Sixth Gen: A Storyboarded Essay

Amidst the falsehood of cast and crew’s safety, global marketing and distribution rights—audiences are left with love stories. The practical phenomena of East-Asian fan service allows youth to recognize a skyline, across the world, or a Metro-service their aunts fawned over. These credited, Sixth-Gen films pass down the 21st century as highly prolific, somehow tumultuous, but for some—worth watching. Whether a nurturing actress or a sterile claim, the filmic image can be re-adapted, then reconciled with delight. The bittersweet certainty of movies is, after all, something new to behold.

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Rix ChanComment
Of A Country I Can’t Remember

My mother tells me all this, and I think of how I’ve never been to China, let alone Qingyuan. As she ties my hair with an elastic, I am uncomfortably aware of the lump in my throat. My hands feel too soft, my skin too pale, the soles of my feet not dirty enough. From across the dining table, my mother seems a thousand miles away.

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primavera

i am fragmented. let me talk about / gymnosperms, angiosperms, / let me stumble through explanations of flower/…i am fragmented. clementines, coarse skin, soft light. i cannot form a complete thought.

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KOAD is Feelin’ “jaunty”

“My goal in creating TREEHOUSE was to equate childhood with honesty. I wish that when I was 13 years old, going into middle school, I could've heard a project like this - where there’s this mad juvenile energy, and I'm saying particularly wild things mixed with really intense, intimate moments.”

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Elinor KryComment